And the advertisers who handled brands like Lexus, BMW and s**t like that would advertise on alternative stations, which f**ked metal. The types who don’t drink Miller High Life and definitely don’t listen to metal. “They thought the yuppies would listen to alternative music while drinking their Stella Artois. You had PEARL JAM, NIRVANA, SOUNDGARDEN, MOTHER LOVE BONE and BLIND MELON f**king things up, and radio gravitated toward that. A lot of it was because of the timing it came out in ‘92, and ‘92 was when everything was imploding because of alternative music. I think that’s the greatest measure of Countdown’s importance.When asked in a new interview with Guitar World how important was MEGADETH‘s 1992’s Countdown to Extinction album to him, Dave responded: “It was our biggest record. The fact that Countdown succeeded despite the shifts in popular music showed that the music was more potent than any trend. “Sure, we made some minor changes at the behest of the record label, but that was as far as it went. We decided we wouldn’t change to fit the trend and would tough it out. ‘ ‘Metallica cut their hair off, put makeup on, and all that stuff, and I got little haircuts during that time, but I never chopped it off. “So, as these metal stations went the way of the great white buffalo, we had to decide, ‘Are we going to be alternative? Are we going to change like every other band?’ And the advertisers who handled brands like Lexus, BMW, and s*it like that would advertise on alternative stations, which f**ked metal. You had Pearl Jam, Nirvana, Soundgarden, Mother Love Bone, and Blind Melon f**king things up, and radio gravitated toward that. A lot of it was because of the timing it came out in ’92, and ’92 was when everything was imploding because of alternative music. Megadeth’s Dave Mustaine was interviewed by Guitar World, where he talked about grunge music, mentioning that bands like Nirvana, Pearl Jam, and others were ”f**king things up” in the early ’90s, ruining metal music.
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